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Tuesday, September 15, 2009

Steadfast: Coming soon...

Some of our favourite releases from the likes of (labels) Mule, Third Ear, Eskimo and Rekids, has but one man behind them: Brendon Moeller, a.k.a. Beat Pharmacy and Echologist.


Of late our favourite is probably Beat Pharmacy's "Mental Universe (Dub)".
Some of the best dub(step) we've heard all year. Solid! But from what we've been hearing, it might soon be a changing...


Here comes a new platform for Mr. Moeller's sound - deep 'n dubby House & Minimal and Dubstep with that hint of psychedelia that makes a production as atmospheric as they come. His new label Steadfast will be distributed through Kompakt with some amazing releases in the works, the first of which coming November 2nd in the form of Brendon Moeller's own Escape.

We also got this mix from the Kompakt blog... Apparently they've been playing "this killer DJ mix" Brendon gave them all week in their offices over there and he has graciously allowed them to share it with us.

Brendon Moeller - DJ Mix 9/09 (right click save as)

01. Mungolian Jetset - Madre Epics Part 2
02. Redshape - Dark & Sticky
03. Levon Vincent - Solemn Days
04. Mark Verbos - Frozen_In_Time
05. Mark Broom Vs Brothers' Vibe - Mind-Feeling (youANDme Hirsch Edit)
06. Shigeru Tanabu – Move (Brendon Moeller Remix)
07. Precious System - The Voice From Planet Love (Voice-Appella)
08. Yapacc – Tales Mystery
09. Chaim – We Do
10. Loose Shus - Taurus (Keenhouse Rmx)
11. Brendon Moeller - Escape
12. Gummihz- East From Savanna
13. Roman Lindau – Can’t Fix
14. Federico Locchi – UGLH Dub Trumpet (Original Mix)
15. Veitengruber – Bon Melange (Afrilounge Remix)
16. Black Jazz Consortium – What’s Up With The Love
17. gowentgone - M.A.M. (Marcel Dettmann Remix)
18. Erefaan Pearce – Start It Up (Original Dub)
19. Mike Dehnert – Black Smoke
20. Soundstream – Good Soul 
21. Delta Funktionen - Deflection
22. Precious System - The Voice From Planet Love (Voice-Appella)

Deep and techy!

Saturday, September 12, 2009

Gravity-free

I saw a punk with a piss stain on his pants in the girls bathroom. He had things in his thin hair and was standing in the corner between the basins. He may have been watching a movie called Girls in the Bathroom, or he may have been in one called Boy in the Girls' Bathroom. Either way, he had nothing to do with anyone else in the room. I don't like that boy, but he does provide a charmingly anecdotal introduction to the power of the groove.


Camille - Ta Douleur (Al Usher Vocal Mix) (MediaFire)

There's something fundamentally filthy about Camille. Firstly, she's French. Secondly, she has a big nose. That means big nostrils... and that means long nose hairs. Mostly, though, she ends her sentences with so much phlegm that the sex she seems to Europeanly imply is more like an alien water birth or something you found in your panties that sent you rushing to the doctor. Maybe Camille is like musical thrush.
However, Al Usher licked the skin that tasted like soil and grew an Orange Maid Lolly. That embarrassing vocal is cleaved with a bass line so firm and sweet and gradually the mucus is diluted to some kind of pleasant film. I'm not saying its a great song, but its nice to see what a man can do with a dirty woman.

Closer Musik - One Two Three (No Gravity) (MediaFire)

Old Aguayo got me with the line "Papa don't dance cos that music got no... balls." Which really has nothing at all to do with this 2000 release from Closer Musik, a project that sees the chiseled Chilean collaborate with German autokraut, Dirk Leyers. That's a helluva pulling power for a pretty girl. I'm a big fan of Musik with a 'k', and of the massive inter-textual web of 'Closer' (NIN, Patrick Marber, "you're too far away"). I also like Germans very much, either in spite of because of their own particular phlegm. The track title, however, rhymes. Eh.

Luckily, the Eh wasn't nearly big enough to matter. Its a minimal track, in the adjectival more than generic sense, and also in the cherry tomato sense. Notes here are left to play out to their conclusion with a resonance I had technologically forgot. The minute modulations of most minimal mean that sounds end when they are meant to end - the sounds are built up to fit the track. In No Gravity, though, there seems to be far more care for notes in and of themselves, and the minimalism comes in here where the potential of each is coaxed and cooed out - the melody will say anything that tone forgot. Add to that cold water hand wash the lilted, Third World love affair vocal and Closer Musik have achieved proximity in the most tender way.

Arcade Lover - Fantasy Lines (MediaFire)

And finally: on the crest of that ultimate groove, we entreat you to fly Fantasy Lines tonight. Whatsoever that seems to mean. (Sex.)